#turning off rb on this because i do not want commentary i do not want discourse lol

[lesbiancarat]

want to give my two cents on the AI usage in the maestro trailer--

i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video

however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern

the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI

and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?

it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey

i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations

[septembersghost]

the netflix cringe right after people started taking him seriously is not sitting the best with me

my brain had to shift gears in such a major way here that it took me a moment to realize what you were talking about - i think it'll be okay, don't worry! it's easy to feel protective of that, i know, but people who don't take him seriously still aren't going to take him seriously, so it doesn't alter anything there, and the people who DO love him and take him seriously are just having fun with it because they know the truth anyway, and it's not going to change that. it's supposed to be irreverent! he would love it, he was a nut (affectionate)!!! i know there's this idea that it's a cash grab, but that's not fair either. it's just a silly way to fulfill that superhero secret agent dream, it's not meant to be serious or a statement on his legacy in that sense. if anything, it's probably better that it came AFTER the film, when that humanity and value was so restored, there are a ton of new people welcomed into the fold now to enjoy it and who will still honor that more serious aspect. all that said, you do NOT have to watch it if it stresses you/if you dislike the concept/casting/etc, it doesn't have any bearing on your own feelings and dedication.

edit: but anon looooook at him

[mavcancees]

how to adapt into dtblr culture for twitter refugees

so you've decided to move here from twitter. welcome and congratulations. this post is basically a big warning that goes THIS ISN'T TWITTER, DON'T BEHAVE LIKE IT IS, LEAVE THAT AT THE DOOR

i'll be teaching you two things, how the site works, and how to adapt your behavior to tumblr ( and really, normal human being ) culture. believe me, it's not that hard and it will actually feel very productive

let's start with the basics and frequent questions

your username can be anything, don't stress about it

your picture can be anything. a lot of us don't even have dteam related stuff up on our profile

your display name doesn't have to be your name. nobody is going to see it when you post, only usernames are visible

check your settings. do it. get familiar with them. turning on and off asks, turning anon off, turning submissions off. click on your blog, go to blog settings, check things there, go to account, your muted things will be there, go to dashboard and customize that. use your settings !!!

yes, pinned posts are fairly important and they tend to be pretty extensive. name age what you post about ( a lot of people here are multifandom !), just don't overshare ( no locations no trigger lists i beg you ). they also usually have a breakdown of your tags at the end

tags

it's a whole thing. some are actually useful. some are just passive commentary

the tags you put on posts ( both when you made the post and when you're reblogging something ) are both global and hosted on your profile. it's why you'll see things like "nameofperson art" rather than just "art". using just "art" will put you in the promoted tag, in this case

you can use spaces on your tags

usually you will tag what type of post you're making ( art, text post, ask post ), and then the contents keep in mind this is how people often mute things, some people tag the current situation, people use and mute ship tags. but this is also how people find things, like the specific asks from one person to another, so "username ask" is commonly used, "irl person ( dream, dnf, etc )" is also seen a lot just watch how others tag things and copy them. nobody will get offended you took their tag formatting, most of us will appreciate properly tagged posts

you do tag when you reblog people. you use tags to comment on things. don't really use replies unless you're, saying thank you to someone or pointing out a spell mistake or asking to add an option to a poll, etc. we don't do replies, just rb your reply

quick reblog and like deets

post popularity is measured in "notes" which is the sum of replies, reblogs and likes. we don't really care much about numbers here and if you start getting crazy about it people will not like it. this is more of a talking and showing site

you can reblog without tags, feel free to

you can hide your likes. you can and should like as many things as you want. they don't alter any algorithm, since there's none. a like is a "i saw this post" notification to the poster

actually posting

people talk a lot. a fucking lot, and it's something you will have to get used to, because it's very different from twitter

there are no qrts. callouts are looked down upon. breathe. if you don't like something MUTE IT DON'T POST ABOUT IT, because no one is going to listen to any callouts. you will have to learn to live with the fact people like things you don't. this will, with time, make you feel very free

the bulk of posting here is asks, as you might notice soon. asks are fun and encouraged. just don't name drop if you're talking about drama please ?

don't be scared to send asks off anon, this is how people will find you and get to know you really. people are also more likely to reply to you

block bait anons. yes you can block anons. yes it will block every blog they make

culture time

i've said this. tumblr is unserious. drama here is approached very differently and with several less layers of panic. you will see death threats. you will see slurs ( said in non derogatory ways ). you will see jokes about serious topics. you will see people say "i didn't like this" and nobody will care

tumblr is a community of individualism. you will like your own things within the thing we share we like. you might not like dream's music, you might not find irl streams entertaining, as long as you're fucking normal about it ? nobody will care and you're free to express your opinions. people will even come ask you about it and just have a chat. we're here for the same content to some degree

tumblr is also a bunch of people who understand they like another bunch of people. that none of the streamers have stopped being human. so you might see people defend things that, maybe, you'd not have thought to defend before. maybe you're even uncomfortable seeing them defending it. this is something you will experience a lot, and you'll learn to properly deal with it as time passes

because again. no one does callouts here unless it is extremely bad. no one cares if you don't really like them. and they also accept people might and will not like them. and that is fine. and that doesn't make either person horrible. you're just different people. and you don't even have to interact

you want to make friends ? ask people things, compliment people's work, genuinely attempt to make conversation. this is not an impersonal website the way twitter is. people don't care about your opinions because they care about you, and you are more than what you don't like

the more positive and jokey and interactive you are the more people will talk to you. there's no "hitting the algorithm", there's no "engagement", it's just people talking to people. so don't be a neg posting bot, and be a person

you will learn to be less miserable. you learn to stop giving a shit and just do what makes you happy. they cannot get you here. there's no qrts. the few antis you'll find can be blocked and you'll never have to directly interact with one. don't be mean to the people in your own community, even if you disagree

again, you are more than what you don't like. learn to be what you like instead. and leave the dooming at the door

[dgdraws]

Maybe saying this on my 18 follower art sideblog is silly, but I want to offer some gentle pushback on the sentiment that's been going around re: notes on art and lack of engagement.

TL;DR make it your practice to be the person who rbs art with nice tags and you can build a community of likeminded folks

There are myriad reasons why online comment culture has shifted, I'm not gonna waste time pinning that stuff down, bc it's actually immaterial to my perspective, which is:

You can find or create a community of people who will lift up your art. But it requires that you participate in the culture you want to see more of.

I had been a lurker on this site for a decade. I held back participating in discussions, creating or sharing art, engaging directly with anyone outside of following blogs and rbing posts without commentary. And during that time, I made no connections, no friends, built no community.

I was afraid of scrutiny. I have felt the humiliating lurch of earnest engagement turning to dread and exposure and a deep regret of allowing myself to be vulnerable. I pulled up the ladder behind me so I would never have to hear the slightest dismissal or repulsion or ridicule from others. In so doing I also cut myself off from praise, understanding or connection. If no one gets a chance to let me down, then it's as though they're holding me up, right? Wrong!!!

I paid good money for a therapist to help me work out the lie there. The realization that I felt isolated and misunderstood because I never gave people the opportunity to show up for me was so hard to grasp. How could my safety net be the cause of my profound loneliness? But it is true. The people in my life couldn't disappoint me, but they also couldn't help me or support me or really love me the way I needed.

Opening myself up to disappointment has been a long, tough road (and goodness knows I'm not ready to let my parents let me down (again) yet). But my relationships are strengthening. My sense of identity is more stable. I am not inconsolably lonely deep in my heart anymore. Because it turns out people do show up when you give them the opportunity.

Not every time. Not every person. But enough of the time that it builds resilience. Every time I reach out and someone reaches back, I get a little braver. I trust a little more.

To bring this back around to online culture and community: I started receiving interest (and notes) after I started showing interest in others. Once again it turns out that people want to turn up for you, but you must give them the opportunity. This means making yourself vulnerable. It means taking the first step.

If you want a community, a group of people who interact w a certain set of values, you have to demonstrate it. Live those values. This is how we create culture. We choose what behavior we want to encourage and we set an example. This is as true in a workplace or a family as it is for tumblr or ao3. If your boss puts up a sign that says "we see mistakes as a chance to learn" but they punish people when they mess up, that's just words on the wall. If they accept errors graciously, if they work to suss out the root of the problem to resolve it, if they are open about their own mistakes, that is the culture.

So if we want to see more reblogs, but not just that, real engagement and chances for connection, then it starts with you.

Here's what I do that has helped me make friends and spark genuine interest in my work;

Reblog LOW NOTE art as much as, if not more than, posts with thousands of notes. Feel proud to give someone the first note on their work!

Incorporate leaving nice tags into my gratitude practice (it is a form of mindfulness! noticing what specifically draws me to art I rb both engages me more deeply with the work and makes my own art better)

Queue up several art posts from the same artist (people notice when you are consistently in their notes!)

Participate in art events like artfight, various -tobers, other challenges (as with making friends anywhere, repeated exposure leads to familiarity and chances for connection!)

Follow people back or even initiate following blogs who interact with your posts (do not approach this with a f4f mentality, only follow people you actually want to hear more from)

Set up post notifications for portfolio style art blogs (ie sideblogs exclusively for original content) so you keep up w your network/mutuals even if you're offline when they post

Low key notice what the people engaging with you like most about your work and consider expanding on those ideas. This is not about "tailor your work to an audience" it's about thinking, "so-and-so left feral tags on my post about this oc so I'll do my practice sketches of them" or "people seem interested in this storyline so let me feed off that enthusiasm and develop it more"

Don't get hung up on it when individuals don't reciprocate. Assume good faith. You never know what is draining someone's energy. Remember that you are offering a gift, your time and energy yes, but also the chance for someone to show up for you too. If it starts to feel like an obligation, reassess where you're putting that energy, but don't be afraid to be generous.

This has worked wonderfully for me. I went from a person scrolling longingly past posts about beloved mutual culture, not quite believing it could really be like that, to a person who happily gets 3 notes on my former flop posts and posts reblog bait for my besties and reblogs the bait they post for me :)

Apparently I had a lot to say! I kinda hope this doesn't break containment but if it does, please be niceys. I understand if this mindset is not available to you bc of social trauma, depression/anxiety, disability, mental illness or whatever else but please avoid venting that on this post. I love you and I hope you can get here someday, because you're worth it. In the meantime, try to be gentle with yourself and others. xoxo

[bonefall]

Your talk about Briarlight's mobility device is super cool, so i wanted to ask for your opinion, if a cat was missing a single back leg (amputated at the heel), would a mobility device be helpful? I'm assuming no, i've seen cats with only two legs hopping around, which leads to question #2.

The character in question got injured and their leg needed to be removed, a Cinderpaw situation of sorts. The clan begins pushing the use of the mobility device on them, parallel to irl people pushing the use of prosthetics to make amputees look 'normal'. Paired with a severe case of gifted kid syndrome, where their missing leg made training difficult and they begin to burn out because they're suddenly struggling, they get shoved/shove themself into the cleric role. They're miserable about this; They loved being a warrior, but simple training they used to breeze right past suddenly became difficult, so they've resigned themself to picking leaves and chewing herbs.

I'm mostly worried that it will be read the wrong way. The character COULD complete their training, they arent lesser than anyone else, but the gifted kid syndrome hit at the same time, along with a mild dose of peer pressure and internal ableism. It IS a case of 'disabled characters go in the square hole medicine cat den!', and thats the whole point because I wanted to explore the ableism in that situation. They just think that if they can't get something right in the first few tries, they cant get it right ever, so they resigned themself to the metaphorical square hole.

I'm just worried though that by trying to comment on it by adding it to the story that im instead encouraging it. Any advice is 100% appreciated, it's just a thin line and im super worried about walking it. Anyways sorry for invading your ask box i just really wanted to ask for second opinions and i have absolutely no one else to turn to.

A mobility device would not be useful, nope! I'm planning a "mobility device that is just for everyone else's comfort" with Thunder Storm too, though that arc is ending with Thunder pulling it off (and then finding out that Tall Shadow exiled Bumble and flipping his fuzzy little lid)

I think what you need most is clarity of your message, and confidence. You know WHAT you want to say about this-- so start thinking about how to show it. How do you impart this to your audience?

The cat in question doesn't need to realize it. They can have friends, mentors, family, other people who come to the right conclusion. Set up their Gifted Kid problems early, and SHOW that they give up and do as they're told when they struggle with something.

You seem to be doing well by establishing that Examplepaw doesn't like the cleric den, and so this was NOT the right choice for them. In my opinion, that's something that muddies Jayfeather's arc in-canon. He's forced into it but ends up just... fine with it and good at it. The fact Jay was pushed there against his will doesn't actually result in negative consequences.

And people argue, "ah, well, authorial statements say ACTUALLY he ALWAYS would have liked it but he felt like he was fitting a stereotype by going in there so actually it's good that they did an abelism because he wouldn't know what's best for him" and like... they don't see the problem in that lmao. Don't Be Like Them People.

But anyway, that's enough advice rambling on my part. @The Audience, if you guys have advice for this anon, feel free to RB it with commentary or reply to it, especially if you have experience with burnout and physical disability

[omegalomania]

i keep trying and failing to articulate what heartbreak feels so good feels like. but i guess the best way the say it is that the lyricism feels, to me, like a discussion of catharsis through the act of creation. and it sounds SO happy but it genuinely feels a bit sad to me? it might just be me. i swear to god i know i was just like "i dont really do lyrical analysis so much except in little snippets" but this song has me so intrigued and i have no idea if anyone else got those kinds of vibes from this.

but basically. right from the start, we have hope mixed with cynicism. the first line of the first verse is a compelling, optimistic hook: it's about how the future is up for grabs, and you have the power to shape it. and the second line adds in, no matter what they sell you, followed by that reference to the 2022 jordan peele film, "nope." i have not seen this film (yet) so i could not expand on the themes of it, but i did rb a really good analysis of that particular line there and i thought that was super compelling, especially given my read on the rest of the song. one thing that the analysis there says that REALLY got my brain going was how the movie nope comments on how the "bad miracle" is the spectacle of the complacency in watching something self-destruct. and op phrased it better than i did, but it's VERY applicable to the way fall out boy's whole legacy was shaped - through the commodification of the band, and of course primarily of pete, and the deification/demonization of his pain, his intimate details, the invasions of his privacy.

given what the rest of the song says, i thought that was super super applicable, especially paired with the prefix of no matter what they sell you. commodification is already a theme here.

nobody said the road was endless, followed by could we please pretend this won't end?

the road will end. you will eventually overcome that hardship. but crucially, the song doesn't want to overcome hardship. it wants the hardship to never end. it wants it to always be there.

and of course the line between those two - no one said the climb was friendless - because they've always been a band of brothers. they've always climbed this road together. again, that little kernel of hope sandwiched between those subtly saddening implications. nobody said the road was endless - and the road is not a good thing, as the prechorus will indicate to us. the fact that they're not alone is the only consolation they have in this.

It was an uphill battle but they didn’t know we were gonna use the roads as a ramp to take off

naturally, there's commentary on determination and persistence in the face of overwhelming adversity. but i love the way it's not just "we push through despite all that" it's "we succeed BECAUSE of that" - the roads are ramps! you take your pain and turn it into something that will launch you into the fucking stratosphere! but rather critically, you don't get anywhere without the uphill climb. a flat road is just a road. it's only with a steep incline that you can actually use your momentum to head skyward.

and that's the point, isn't it? heartbreak feels so good - not because it actually, legitimately feels good, but because it's only through heartbreak that you can make something profitable. heartbreak feels good because if you are broken, if you are not fixable, you can guarantee that you will remain a fixture in the industry. your pain is compelling. the second verse really cements that for me.

we said we'd never grow up It’s open season on blue moods

because obviously everyone writes about heartbreak. again, blue moods are big themes in music. if you're heartbroken, then as far as the world is concerned you're producing good art. likewise with the idea of "never growing up," since well especially with fob and the way they've been perceived, there's a general preconception that they're at their "best" when they've been kind of frozen in a state where they don't get to grow, change, or learn. if you're at your most prolific creatively at your saddest, then maybe the fans, the world, the industry likes you better like that. never growing up. never getting better.

taking a look back at the chorus, there's the whole interplay of crying and dancing, and that is what really makes my brain go brrrrr

We could cry a little Cry a lot But don’t stop dancing Don’t dare stop

the "don't stop dancing" part reminds me a bit of the song of the same name from bojack horseman. and if you're unfamiliar with bojack horseman, the cliff notes summary is that it's about a washed-up actor who was on a famous 90s sitcom and all the ways he is fucked up and hurts himself and hurts the people around him and how he struggles through it. it is RIFE with commentary on celebrity culture and it's an excellent show but also a genuinely hard watch. it is a show that i know that pete is at the very least familiar with, and thematically i can see why it would interest him.

anyway, the song "don't stop dancing" is sung twice in the show. the first time is while bojack is having a tremendous mental breakdown and he hallucinates/dreams his co-star singing to him so she can mock his self-pity and comment on the inherent absurdity of celebrity culture - the line that stands out for me here is why not sell your sadness as a brand? the second time, it is sung by a mental construct of his former co-star (who died an unnecessary, tragic death for which bojack was directly responsible) while bojack is drowning in a pool. the reprise is about the inevitability of death and what your legacy leaves behind - because bojack is dying in that moment, and the character singing the song here is dead and her death has cast a permanent shadow over the entire remainder of the show.

all this is to say that the "don't stop dancing, don't dare stop" bit feels genuinely kind of...like it sounds joyous, it's delivered as such, but it's also got that darker undercurrent to it? the thing is that the heartbreak is inevitable - the whole song is about how heartbreak is inevitable and it is gonna happen anyway. and you can cry all you fucking want about it, but you are not allowed to stop dancing. you are not allowed to stop turning your pain into art. because your pain is the most profitable thing about you.

We’ll cry later or cry now You know it’s heartbreak

cry later, cry now. cry a little, cry a lot. it doesn't matter when or how much you fucking cry about it as long as you keep dancing - keep creating. keep making something, making your fucking pain and misery and heartbreak worth it. because that is what the people love. that is what the people want to see. that is what sells records.

heartbreak feels so good precisely because it means you can make something out of it.

but then, that last bit of the chorus...oh. oh, my heart.

We could dance our tears away Emancipate ourselves

that last line. emancipate ourselves. i am reasonably confident that this is a direct reference to "redemption song" by bob marley. pete is familiar with marley's body of work and the phrasing is too specific, too deliberate. that line in "redemption song," emancipate ourselves from mental slavery, is in and of itself a reference to a speech made by marcus gavey, a jamaican activist. and there is legitimately so much in that alone. the fact that both the song and the speech are about slavery. the fact that marley wrote this song in '79 while he was already dying of cancer, and confronting his own mortality through his art. i wish i could articulate all that there is in that but i don't think i'm the right person to. but the fact that the chorus ends on that note, punctuating it with one last refrain of we'll cry later or cry now / but baby, heartbreak feels so good, that is what makes the song for me. that's what gives it that little zing. that's what elevates it to something much more hopeful. because again, the song sounds happy but says some pretty saddening/harrowing stuff. but the parting note is on that. emancipate ourselves.

"We are going to emancipate ourselves from mental slavery because whilst others might free the body, none but ourselves can free the mind."

and to have that happen in conjunction with "we could dance our tears away" is like.......you can survive free of whatever pain might plague your legacy - in more ways than one. we could dance our tears away - because while we are required to never stop dancing, never stop creating, it still helps, doesn't it, to make something beautiful from all that has hurt you? and there will always be people who want package that, sell it, make it into something that can be bought and advertised. but you can make yourself free of that, if you have the inclination. and i think the upbeat nature of the song is what supports that. it sounds jubilant but it also sounds...free. for all the ways that you might be weighed down by the onlookers, the people who want to profit off your pain, the people who prefer you broken, your ability to find catharsis and freedom through your craft is yours, and yours alone. and despite everything else, you can still find a release in that.

thats what gets me about this one. i cant stop rotating this song in my head and thats all

[skyllion-uwu]

Finally made one of those Carrd things here: https://skyllion.carrd.co/

PFP is my own quick editing

Title is my current vocal stim

Extra Tumblr-exclusive things:

@sky-kinz (Webkinz blog)

@blakeworther (Dinoverse blog)

@skyllion-oc-archive (OC blog)

@sprinkle-stardust (Bailey's blog) This is a blog for my OC, Bailey! It takes place a couple years before the second half of Round and Round We Go, meaning she's about 15, doesn't know about the timeloops, and only knows Jaxon, Robin, Holmes, and Adrienne. She can't see any meta things, such as my OC blog or any tags I make about her, and she thinks Tumblr is broken because she doesn't see a follow button for anyone's blog. Feel free to ask her questions and stuff!

@mx-mind (post limit alt; follows, likes, comments from @skyllion-owo)

@skyllion-fashion-inspo (fashion stuff I save for character stuff like my OCs and my designs of Batman characters)

NSFW blog (18+ mutuals may message me for the name, minors and non mutuals please don't ask me for it. Mostly just me rambling about stuff I feel like I can't post on my main)

Tags I use under the cut

-I make a lot of commentary. If you want to, feel free to screenshot them and rb as it's own thing. I just ask you add an image description to it, either with one under the screenshot or as alt text

-I do trigger/content warnings as "#tw [thing]". Will tag suggestive content as "#suggestive" and explicit content as "#nsft" (I do not post porn).

-AI generated art (NeuralBlender, Dall E Mini, etc) goes under "ai generated". I don't tag informational posts on it that include examples since that's important

-Reblog for thing to happen goes under "superstitious post" and "rb bait". I ACCIDENTALLY TAGGED OLD ONES AS "SUSPICIOUS POST" SO BLOCK THAT TOO JUST IN CASE

-Fake news usually has an explanation in the tags that it's not real. Joking misinformation is tagged "joking misinfo". I use "tw unreality" on general stuff like something isn't real. Lemme know if I need to expand it to include more things!

-Things that are mentioned don't have a tw before it (for example, "suicide mention" is the most common example).

-suggestive vs. nsfw mention vs nsft: suggestive insinuates something NSFW. nsfw mention says something in passing. NSFT goes in detail.

-"#artistic nudity" is for pics with nudity that aren't sexual

-Please feel free to ask for tags so you can filter stuff out. I can either use a personal tag for you or if it's a common trigger I will use the same format across tags.

-"#sky screams into the void" are personal ramblings.

-"#sky vents like amogus" is specifically for venting. I almost always have rbs for these turned off, but you can like or comment unless stated otherwise. Please feel free to filter this out

-"#asks for sky" are asks. I also put the username of the submitter or "anon" if submitted anonymously

-"#cool trinkets and tchotchkes for sky" are for submitted posts! Same naming conventions for asks apply

-"#down in the deep queue sea" is my queue tag. That's right I'm using the queue now!!

-"#sky writes something" is my writing!!

-"#skyllion art" is my art!!

-"#rubber ducking with mica" is my programming tag (for games)!!

-"#skys doodly doodles" are low effort doodles I feel don't warrant the art tag

-"#micas rambling reactions" are my reactions liveblogged whenever I start a piece of media. I will tag with spoilers when necessary (eg. tag spoilers for new Deltarune chapters but wouldn't tag for Undertale since the latter media is old and widely known what happens)

-"#skyllion ocs" are original posts about my OCs!!

-Speaking of OCs, I love the Blorbos from My Brain! Thus, I'll sometimes tag stuff with these names: Jaxon, Robin, Holmes, Charles/Chuck, Bailey, Adrienne, Etienne, Shiko, Neil, Katsumi/Ryousei (formerly named Kami, so older posts will have that), Alina, Junko, Seoyeon/Trixy, Hasedonia, The Sun King (might be tagged Julius), Evanthe, Pyrite, Ophelia, Lila, Horace, Aiden, Betty Cassie, Talia, Willow, Andrew (name pending), Hunter (name pending), Eden, Mark, and Sky (written as "Sky (sona)"; they're a self insert version of myself in my stories). Fan OCs are less commonly tagged but they're Dahlia (Dinoverse OC), Nettle (Flower Kid from Smile for Me), Bee Batson (AU version of Billy Batson/Shazam), and Nova Armstrong or The Black Hole (DC/Batman OC). Feel free to ask about said OCs because I feel awkward randomly talking without people asking

-"#references" are just useful things/stuff I want to save. I'll tag things that don't apply to me but may be useful to others with this too; feel free to go through and rb what you need/want

-"#posts that if i had to see so do you" are cursed posts. I trigger warning these too but block this if you wish to spare yourself

-"#ask games" are ask games. Feel free to copy/paste a question if you wanna ask (don't just say a number though because it may be an old post and will confuse me)

-"#save for mom/my sister" is what it says on the tin. No need to worry much about this one but you get a glimpse into my offline life

-"#lorenzocore" or something involving Lorenzo is an inside joke OC with me and my sister. He loves soup and that's all you need to know. It's soup stuff

-Anything referring to Kokomo is a reference to another joke OC. We don't speak of that evil demon. His lore is very complicated and too much for a simple intro post

[slow-button-off]

Charles's strategy today compared to the sprint = ♥️

Instead of trying to overtake Verstappen at the start and being pushed again, he got right behind him, stuck with him and bided his time, putting pressure on him all the while ♥️♥️♥️

A lot of drivers would have tried to get p1 immediately. But Charles knew p2 was the best position to be at the beginning. No unnecessary risks taken and controlling the situation from the start 😭

(And getting away from Sainz as fast as possible)

He sees the bigger picture.

Binotto said he was incredibly surprised by today's performance from Ferrari and the fact that they forced Verstappen into a third pit stop

Really insane!

That first overtake really took Max by surprise it seems, and he even had to correct his path (English isn't my native language I hope you get what I mean lol)

The last laps took away about 10 years of my life tho because of the throttle and downshift problems 😅

Ferrari needs to get on top of their mechanical and reliability issues because we need more exciting races like this one!!

Hiya!

Firstly, thanks for the long asks! I love all of these! I might just take a bit longer to reply because there is so much to talk about.

Secondly, not a native English speaker either so sometimes what I say also doesn't make perfect sense in English but anyway, everything you said made sense.

Yeah they got it right which was great to see! And that they weren't pressured into things by Max pitting so early. Iirc mattia said that they used the sprint as an experiment type thing to check out the tyre deg and they knew that theirs was better than RBs.

With Charles start he did take a different line than in the sprint so Max couldn't squeeze him into the wall which would mean that Carlos could've gotten him. But it also helped that George had such a good start and Carlos was preoccupied with keeping them behind and so the first two just sped off.

Charles also said that the first few laps he still wanted to take it a bit slow and then attack which he did. I've heard it quite a lot about these new tyres that you really need to take the time to get them up to temp or you'll ruin them.

Charles definitely sees the bigger picture! It's also why he was so ready to have to keep re-overtaking Max.

I think everyone was a bit surprised by the tyre Deg differential between RB and Ferrari. Max for sure was. I think it's a thing on both sides where Ferrari were better than expected and RB was worse than expected.

Honestly, I've watched that overtake with every commentary I have access too and they were all surprised including me. He seemed wayyy too far away but he did it! He's been so incredible on the brakes this season! I mean the car definitely helps that, but he brakes soooo late and keeps getting it right without major lock ups.

And yes max did definitely had to back out a bit or he'd have risked them both. Which is smart. But I love it when these two battle especially in these new cars because they are both super aggressive but don't force it too much because they know they'll have another chance.

Same the last few laps killed me! I already was ready to faint! It was horrible! And then the gap also kept getting smaller because of Charles turn 3 because of the stupid throttle. I don't think I would've lasted another lap tbh. He couldn't downshift because the software doesn't allow that if the revs are too high and they were too high because of the stuck throttle. So that stupid pedal really tried to cause all the issues it could've on those last laps.

I think Mattia said that they know what the issue with Charles engine was and they think it's the same for Carlos and that they are fully focused ok fixing it. So that would be lovely if they could maybe do that like now. But at least they know what the issue is. That's a good start and often harder to figure out than one thinks.

I just love seeing Charles win lol but also the battle with him and Max have been so nice because they've been really clean. And they are for the lead so thats extra lovely.

[inventors-fair]

Always the Bridesmaids

Congrats to our runners-up this week! @wolkemesser with Sangelier, @misterstingyjack with Component Scavenger, and @gollumni with Bouquet Toss!

~

Sangelier

I love some of the stuff you’ve done with this card. I like the pun, first off. It feels like a real word! I love how you didn’t restrict it to just blood, but you made it obvious via flavor. That’s not how most of the cards in the set works, so it’s a little odd, but it also makes it more reprintable (even if the flavor doesn’t). The colors are a little strange, but I like it. Sacrificing creatures is black and sacrificing artifacts is red, and both colors get access to scry (as do all colors), but it’s a little awkward that this really want to be playing blue for some extra extort synergy. Also, almost forgot, scry is really cool with blood specifically, since it lets you scry before drawing. If anything, that’s the least RB part of the card. This turns blood tokens into opts, which is kind of a big deal. I know this fits well with the blood theme in the set, but I don’t know if it fits with the rest of red black in the set. Rakdos in this set is still supposed to be aggressive, and a bear that just scries occasionally doesn’t fit in that well with the other cards in the set. Rakdo wants to be losing its creatures to combat, not to itself. It fits with the mechanics, but not the strategies, if you understand what I mean. It’s a good and well-made card, though.

-

Component Scavenger

This definitely feels like a card that could have existed in the set. It overlaps just a bit with the other 3/3 flying exploit zombie, but not too bad. My biggest issue is the timing restriction. It doesn’t line up with what WotC has been doing with these types of effects lately. This is closer to a card like Nightveil Specter than it is to the more recent Thief of Sanity or even Gonti. While I can understand wanting to give the opponent a way to deal with this creature, they already can stifle the trigger by killing it on the stack, or by leaving them nothing to exploit which just turns it into a bad Covetous Urge. I think paying a bunch of mana and sacrificing a creature is enough of a cost to let them cast that card unconditionally. But other than that gripe, I really like this card. It feels cool and fun and splashy, and it works really well with the themes of the set.

-

Bouquet Toss

Art direction is probably Olivia throwing a bouquet of roses behind her, but with the bouquet having a trail of blood following the path it arcs. Roses/whatever the target of the roses is would be in the bottom left, Olivia is like top right third of the art Dutch/canted angle.

So, first off, you can say “this spell” not the card’s name. Okay, anyway, here’s a weird fling. It can fling creatures or artifacts, which is kind of a big deal. I could easily see this being played in artifact decks in pauper with affinity cards for some massive damage. Was that the intent? The obvious comparison is to the card fling (or thud). This is a sorcery that’s harder to cast, but hey, it can sac artifacts! I think flings kind of make sense in this set, but it’s awkward that it’s in different colors than the exploit mechanic, meaning it’s hard to make those synergies work. The blood synergy is kind of cool, but maybe too good? It’s a payoff, but might be too good of one. I think if it were three damage, that would feel a little closer to the value of the blood + having to pay for this card. I think this card has some weird interactions with the set, but it’s a fine card in general. The main reason it gets the runner-up is because it really takes the set into consideration, but also could have ramifications in other formats, but while still being well balanced there.

~

And there you have it! The strongest contenders this week. I should have the commentary up in a jiffy.

-Mod Mr. ShinyObject

[dwellordream]

“…In modern English, we often use oath and vow interchangeably, but they are not (usually) the same thing. Divine beings figure in both kinds of promises, but in different ways. In a vow, the god or gods in question are the recipients of the promise: you vow something to God (or a god). By contrast, an oath is made typically to a person and the role of the divine being in the whole affair is a bit more complex.

…In a vow, the participant promises something – either in the present or the future – to a god, typically in exchange for something. This is why we talk of an oath of fealty or homage (promises made to a human), but a monk’s vows. When a monk promises obedience, chastity and poverty, he is offering these things to God in exchange for grace, rather than to any mortal person. Those vows are not to the community (though it may be present), but to God (e.g. Benedict in his Rule notes that the vow “is done in the presence of God and his saints to impress on the novice that if he ever acts otherwise, he will surely be condemned by the one he mocks.” (RB 58.18)). Note that a physical thing given in a vow is called a votive (from that Latin root).

(More digressions: Why do we say ‘marriage vows‘ in English? Isn’t this a promise to another human being? I suspect this usage – functionally a ‘frozen’ phrase – derives from the assumption that the vows are, in fact, not a promise to your better half, but to God to maintain. After all, the Latin Church held – and the Catholic Church still holds – that a marriage cannot be dissolved by the consent of both parties (unlike oaths, from which a person may be released with the consent of the recipient). The act of divine ratification makes God a party to the marriage, and thus the promise is to him. Thus a vow, and not an oath.)

…Which brings us to the question how does an oath work? In most of modern life, we have drained much of the meaning out of the few oaths that we still take, in part because we tend to be very secular and so don’t regularly consider the religious aspects of the oaths – even for people who are themselves religious. Consider it this way: when someone lies in court on a TV show, we think, “ooh, he’s going to get in trouble with the law for perjury.” We do not generally think, “Ah yes, this man’s soul will burn in hell for all eternity, for he has (literally!) damned himself.” But that is the theological implication of a broken oath!

So when thinking about oaths, we want to think about them the way people in the past did: as things that work – that is they do something. In particular, we should understand these oaths as effective – by which I mean that the oath itself actually does something more than just the words alone. They trigger some actual, functional supernatural mechanisms. In essence, we want to treat these oaths as real in order to understand them.

So what is an oath? To borrow Richard Janko’s (The Iliad: A Commentary (1992), in turn quoted by Sommerstein) formulation, “to take an oath is in effect to invoke powers greater than oneself to uphold the truth of a declaration, by putting a curse upon oneself if it is false.” Following Sommerstein, an oath has three key components:

First: A declaration, which may be either something about the present or past or a promise for the future.

Second: The specific powers greater than oneself who are invoked as witnesses and who will enforce the penalty if the oath is false. In Christian oaths, this is typically God, although it can also include saints. For the Greeks, Zeus Horkios (Zeus the Oath-Keeper) is the most common witness for oaths. This is almost never omitted, even when it is obvious.

Third: A curse, by the swearers, called down on themselves, should they be false. This third part is often omitted or left implied, where the cultural context makes it clear what the curse ought to be. Particularly, in Christian contexts, the curse is theologically obvious (damnation, delivered at judgment) and so is often omitted.

While some of these components (especially the last) may be implied in the form of an oath, all three are necessary for the oath to be effective – that is, for the oath to work.

A fantastic example of the basic formula comes from Anglo-Saxon Chronicles (656 – that’s a section, not a date), where the promise in question is the construction of a new monastery, which runs thusly (Anne Savage’s translation):

These are the witnesses that were there, who signed on Christ’s cross with their fingers and agreed with their tongues…”I, king Wulfhere, with these king’s eorls, war-leaders and thanes, witness of my gift, before archbishop Deusdedit, confirm with Christ’s cross”…they laid God’s curse, and the curse of all the saints and all God’s people on anyone who undid anything of what was done, so be it, say we all. Amen.”

So we have the promise (building a monastery and respecting the donation of land to it), the specific power invoked as witness, both by name and through the connection to a specific object (the cross – I’ve omitted the oaths of all of Wulfhere’s subordinates, but each and every one of them assented ‘with Christ’s cross,’ which they are touching) and then the curse to be laid on anyone who should break the oath.

…With those components laid out, it may be fairly easy to see how the oath works, but let’s spell it out nonetheless. You swear an oath because your own word isn’t good enough, either because no one trusts you, or because the matter is so serious that the extra assurance is required.

That assurance comes from the presumption that the oath will be enforced by the divine third party. The god is called – literally – to witness the oath and to lay down the appropriate curses if the oath is violated. Knowing that horrible divine punishment awaits forswearing, the oath-taker, it is assumed, is less likely to make the oath. Interestingly, in the literature of classical antiquity, it was also fairly common for the gods to prevent the swearing of false oaths – characters would find themselves incapable of pronouncing the words or swearing the oath properly.

And that brings us to a second, crucial point – these are legalistic proceedings, in the sense that getting the details right matters a great detail. The god is going to enforce the oath based on its exact wording (what you said, not what you meant to say!), so the exact wording must be correct. It was very, very common to add that oaths were sworn ‘without guile or deceit’ or some such formulation, precisely to head off this potential trick (this is also, interestingly, true of ancient votives – a Roman or a Greek really could try to bargain with a god, “I’ll give X if you give Y, but only if I get by Z date, in ABC form.” – but that’s vows, and we’re talking oaths).

…Not all oaths are made in full, with the entire formal structure, of course. Short forms are made. In Greek, it was common to transform a statement into an oath by adding something like τὸν Δία (by Zeus!). Those sorts of phrases could serve to make a compact oath – e.g. μὰ τὸν Δία! (yes, [I swear] by Zeus!) as an answer to the question is essentially swearing to the answer – grammatically speaking, the verb of swearing is necessary, but left implied. We do the same thing, (“I’ll get up this hill, by God!”). And, I should note, exactly like in English, these forms became standard exclamations, as in Latin comedy, this is often hercule! (by Hercules!), edepol! (by Pollux!) or ecastor! (By Castor! – oddly only used by women). One wonders in these cases if Plautus chooses semi-divine heroes rather than full on gods to lessen the intensity of the exclamation (‘shoot!’ rather than ‘shit!’ as it were). Aristophanes, writing in Greek, has no such compunction, and uses ‘by Zeus!’ quite a bit, often quite frivolously.

Nevertheless, serious oaths are generally made in full, often in quite specific and formal language. Remember that an oath is essentially a contract, cosigned by a god – when you are dealing with that kind of power, you absolutely want to be sure you have dotted all of the ‘i’s and crossed all of the ‘t’s. Most pre-modern religions are very concerned with what we sometimes call ‘orthopraxy’ (‘right practice’ – compare orthodoxy, ‘right doctrine’). Intent doesn’t matter nearly as much as getting the exact form or the ritual precisely correct (for comparison, ancient paganisms tend to care almost exclusively about orthopraxy, whereas medieval Christianity balances concern between orthodoxy and orthopraxy (but with orthodoxy being the more important)).”

- Bret Devereaux, “Oaths! How do they Work?”

[leverage-ot3]

notable moments from The Stork Job

leverage 1.06

Joe: Where is he? What have you done with him?

Dana: Why haven't you returned our calls?

Joe: Did you think we'd just go away?

Dana: We’ve given you the money. What else do you want? (approaches Irena) What have you done with Luca?!

(thug grabs Dana and pushes her aside)

Joe: Dana!

(Joe goes to help Dana and is stopped by the thug. Joe punches the thug, who then beats him into the ground as Irena and Nicolas walk away. Thug leaves, and Dana crawls to his side)

yo can we take a moment to respect and love these parents??? like technically luca was just a kid they were going to adopt but these two were ready to THROW DOWN for him because even though they didn’t really know each other, he was going to be their kid if that’s the last thing they did

- - - - -

Dana: $120,000. We had to take a second mortgage out on the house.

Nate: Well, we can get the money back.

Dana: We don't want the money. All we want is Luca.

Nate: Right. (looks at picture of Luca)

we love to see the clients being noble as hell

- - - - -

Eliot: Are we seriously considering this, huh? Swiping a kid?

Nate: Yeah, well -- What happened to you?

Eliot (scrapes on his face): Well, how was I supposed to know it was a lesbian bar?

...I bet it was from something fucking stupid

eliot “distinctive” spencer would have known it was a lesbian bar

(edit: I heard that on the commentary for that episode CK got the injury from trying to play football while wearing cowboy boots and honestly what a chaotic fav)

- - - - -

Eliot: How do we even know this kid is an orphan?

Parker: See him pocketing those cookies? He’s hoarding food. That bag on the table -- he keeps his essentials light and portable. He knows he's gonna be taken away at any moment. And there, when she goes to touch him, he flinches. He’s expecting… for her to... Trust me. He’s an orphan.

parker’s Tragic Backstory™ is about to be told in 40 minutes, let’s go

- - - - -

Sophie: Hey, can we -- can we stop off in Paris on the way?

Nate: Uh... maybe on the way back.

Sophie: Cool

sophie loves paris and was so happy and excited im-

- - - - -

Parker: Yes. And she's with someone.

Eliot: That’s never stopped me before

parker, rolling her eyes: bruh

- - - - -

sophie being “princess magda of slovenia” rb if u agree

- - - - -

Nate: You know, just hurry up.

Hardison: It’s not so fun working in the crappy command center, is it? No, see, you're usually off doing your European spy thing. Well, welcome to my world.

(Computer shows facial recognition program working on picture Eliot sent. Hardison offers Sophie a bottle of pop)

Hardison: Orangescu?

even in a foreign country hardison manages to get something akin to orange soda

- - - - -

Sophie: Who was it? -- Dagmar from the car-rental place was a lovely girl, but listen, Irina’s a professional grifter. She's gonna see straight through your moves. She does this for a living. You know, gets people to like her and trust her, even to fall in love with her. She doesn't do this for sport.

Nate: Mm. Sounds like someone I know.

s a v a g e

- - - - -

Nicolas: Beautiful name for a beautiful lady. Tell me, Hardison, what brings you to Serbia?

Hardison: Oh, do my fangs and cape frighten you

hardison being Done™ with a skeevy guy hitting on parker and making jokes to ease the tension 🥰

- - - - -

parker says that sleeping is one of her hobbies and honestly bitch me too

- - - - -

Parker: It’s amazing how far Serbia’s come, but the scars must still be there. I mean, all the families who suffered during the war.

Nicolas: Yes, but history always has its casualties.

Parker: Yes, but those families and those children.

Nicolas: It’s tragic, yes. But the strong, the smart, the... the beautiful, they survive.

[Flashback]

(Joe, Dana and Luca on home move.)

Joe: Smile!

Dana: Smile.

(A young Parker swinging, cuts to Luca sitting in the car that will take him away, cuts to young Parker on a merry-go-round, cuts to Luca being driven away)

Woman: What’s wrong?

(a young Parker in a car holding her bunny, cuts to Nicolas driving the car that takes Luca away)

Nicolas: It’s time to go.

[American Embassy]

Nicolas: Not everyone is worth saving.

(Parker gropes behind her and grabs a fork from the table, stabbing Nicolas with it. Everyone in the room looks in their direction)

parker’s past is developed a lot in this episode and we love to see it + bby you can stab anyone you want

- - - - -

parker fucking yeeting out the window is me after I do anything remotely embarrassing

- - - - -

Eliot: I’m lucky to have you on such a short notice. (takes paper from man) Zhavaliti. Is that right? Zhavaliti? Thank you? See? Yeah? No? Welcome to the set.

Hardison: Fire in the hole!

(Hardison sets off explosion of flame behind them)

Eliot: Yeah, it's exciting, isn’t it?

Irena: yes.

Eliot: That guy's our special-effects guy. He ain't all there.

friendship means gently bullying each other

- - - - -

Parker (sits down near prop truck): This is ridiculous.

Hardison (sits down next to her with fake gun): Tell me about it. We’re supposed to believe these are real?

Parker: This is what he expects me to do, fetch scripts and water?

Hardison: No, it's a trust thing. He just needs to know that you’re gonna go along with the game plan.

Parker: Yeah, yeah. I get it; we're a team.

Hardison: A little more than a team. I’m just saying

this was such a big episode for parker and her opening up to the team (hardison in specific)

- - - - -

Hardison (picks up papers): Sophie, are you -- seriously, Sophie. It was supposed to be a two-page scene between Irina and a boy.

(Eliot grabs pages)

Sophie: That’s still the heart of it.

Eliot: "The heart of it"? There’s like 10 pages here! You have a stunt. You have special effects.

Parker: "Sister Magda crosses and gets a loaf of bread." Wait, who's sister Magda?

(Sophie rolls out dramatically wearing a nun’s costume while ethereal music is playing)

Hardison: Tell me you didn't see that coming.

(Eliot grabs the pages and walks away)

sophie: is dramatic

eliot: surprised pikachu face

hardison: ??? were you expecting something else

- - - - -

Sophie: Listen. All right, look, look -- look at all this. This is my world, okay? You need -- you need someone to, I don't know, crawl through an air duct, you call Parker. Bash her head in - Eliot. Internet porn -- Hardison. If you need someone to take over a movie, then...

Nate: yes, an -- an actor. Right

sOpHiE bRuH

poor hardison, he never gets enough credit

- - - - -

Nate: And... cut!

(everyone claps, Sophie sits up, smiling)

Eliot: She can't act.

Nate: She can act when it's an act.

Eliot (going to Sophie): Unbelievable.

Sophie Really?! Really?!

Eliot: Yeah, really. It was great.

eliot is such a supportive friend because literally his jaw dropped at her acting and literally the first thing he did when they said cut was rush over to her and compliment her

eliot is secretly a hype man disguised in many layers of gruff

- - - - -

Hardison: Just take it slow until she leads you to Luca.

Parker: I can't believe they sent you to babysit me.

Hardison: I’m here on my own

hardison cares about her so quickly I’m soft

- - - - -

parker’s haunted look and glassy eyes when she stumbles into the room with all the children? her heavy breathing? how she has to brace herself on a bed frame so that she doesn’t fall over? heartbreaking

- - - - -

[Harbor]

(van pulls to a stop and Parker and Hardison get out, Parker pacing nervously)

Parker: This isn't just an adoption scam.

Hardison: I know. I already called Nate.

Parker: These are arms dealers, and they're using the orphanage for cover.

Hardison: I already called Nate. Now, look, we can go over this with the others back at the hotel.

Parker: We have to bail.

Hardison: No. no, no, no. What about Luca and the others? We can't leave them like that.

Parker: Why not?

Hardison: You don't mean that.

Parker: You think this is the only crappy orphanage in this place? This is a country full of orphans, okay? We can't save them all.

Hardison: No, but we can save this one. Parker, we can -- we can save this one. Look, I know growing up was tough. I-I know that you -- you grew up in the system. It was -- it was bad. I know. It was, it was worse than bad, but that doesn't mean that all foster parents are monsters. Mine wasn't.

Parker: You grew up with your grandmother.

Hardison: We called her "nana," but she was our foster mom. She, uh... she -- she would cuss like a sailor. The old girl would tan your ass just as soon as look at you. But -- but she fed us, she bathed us, she put a roof over our head. And, oh, she would raise hell if you so much as looked at us crooked.

Parker: Yeah?

Hardison: Yeah.

Parker: Well, you were lucky. No. We’ll put these kids in the system, and odds are, they're gonna -- they're gonna... (trying not to cry) they're gonna turn out like me.

Hardison: I like how you turned out.

(Parker breathes hard, getting control of herself)

Hardison: Let’s go

this whole conversation was a lot meta wise but also this was one of the real defining moments in their relationship in s1. it’s also one of the first times parker starts to open up to the team for real, even if it’s only hardison

also, I personally will never get over the “I like how you turned out”

- - - - -

Hardison: I ran humpty and dumpty through the usual databases. Chechen separatists. Seriously bad dudes.

(Eliot chuckles)

Hardison: After reading their bios, I don't think I’m ever gonna sleep again.

Eliot: Never tell a Chechen his sister has a nice smile. Trust me

eliot is an idiot

- - - - -

Nate: Okay, let's go. (leads Luca forward)

Sophie (in Serbian): Everything’s going to be okay. Do you understand?

Eliot: Maybe this will help.

(Eliot leads Luca over to the Mortons)

Dana: Hi, Luca. Do you remember us?

(Luca smiles, Dana hugs him)

Dana: Thank you.

Joe: Thank you so much. Come on.

(The Mortons and Luca get in their car)

Eliot: I got to tell you, I had my doubts at first, this feels pretty good

and the eliot-being-soft-around-kids saga B E G I N S

- - - - -

parker trying her best to translate but just making the kids giggle

“men will sadden you” same

and what gets the kids up and going? Haagen-Dazs

- - - - -

fierce, determined parker beating up scumbags is my sexuality

+

parker isn’t violent a lot in terms of being anywhere close to the team’s fighter/hitter, but she fights so hard for the kids in this episode and it’s one of the only times we see her fight fight and that shows just how much she cares

- - - - -

Parker: Shh, shh, be quiet, they have armed guards at that door.

(door bursts open and a man falls through. Eliot stands in the doorway, looking angry)

Sophie: No, they don't

her team always has her back, even if they’re angry at her trying to go at it alone

- - - - -

parker spreading herself out to cover as much space as possible, bracing herself to get shot over and over with the hopes that at least none of the kids will im-

she’s so selfless sksjdnnsns

- - - - -

eliot being all gruff that things happened the way they did but smiling at the exploding building because they did it and the kids were safe

- - - - -

THE FUCKING PROP TRUCK PLAYING SPOOKY AND WEREWOLF NOISES AS THEY DRIVE AWAY JUST TO MOCK THEM

+

bonus: nate’s “anD CUT”

- - - - -

Parker: Hey, how did you know I’d be at the orphanage?

Nate: Thank Hardison for that. (follows Eliot)

Hardison: You know you could have gotten killed. Did -- did you even have an exit strategy?

Parker: I didn't really think that far ahead.

Hardison: You don't work alone anymore. You know that, right?

Parker: I know.

Hardison: We're a team…?

Parker: We're a little more than a team.

this important conversation but also HARDISONS SMILE

- - - - -

Parker: (gets on the van) Hey, Nate. I have to tell you something.

Nate: What is it?

Parker: We have to stop at Hagen Daaz.

Children: Hagen Daaz!!!

after all that they deserve like a billion pints of ice cream

[big-girl-toaster]

Emily Sonnett - player analysis

A compilation of Sonnett‘s strengths, weaknesses (cause everyone has them) and general observations from Portland and USWNT games (mostly from 2018 and 2019) ft. my irrelevant opinion.

Enjoy!

Before I’ll start a few notes:

I’m obviously not a professional soccer analyst person or whatever, so please don’t come for my ass. These are just patterns or reoccurring things in Sonnett’s game I observed while rewatching tons of PTFC and USWNT games. 

I will focus on a few key points, that doesn’t mean that she has deficiencies in other aspects, sometimes it’s just hard to show them and I tried to avoid stating arguments without giving visual evidence. (All the links and credits are below the gifs)

I would love it if you gave additions, feedback or criticism to this post but all in all I just hope that you enjoy reading a bit about Sonnett’s more professional side and soccer tactics in general.

Please let me know if the format is weird, I’m still figuring out how to make big posts.

I sincerely apologize for the low quality of gifs, as I said, I’m figuring things out and I wasn’t able to upload proper clips.

And lastly, Sonnett is a precious little bean and I enjoyed making this more than I should have. Also, did I use this as an excuse to spend days on end rewatching old games? Yes I did.

I will start with three main strengths I think she brings to the pitch:

Communication / Leading the back line                                               (this is in regards to her position with the Thorns, I will talk about the differences between PTFC/USWNT later on)

As a center back you naturally have a more responsible role in terms of shifting players that are in front of you and communicating things to them they can’t necessarily see. Sonnett embraces that role completely and at 25 years old she is at the level of world class CBs in that regard. A lot of players take on that role much later in their career. Her college coach Steve Swanson for the University of Virginia said about her:

"There is a standard of focus and intensity that Emily demands of the players that play around her. She’s not afraid to hold her teammates accountable in that regard. That was one of the unique aspects of our team dynamic this year, is that Emily's style of leadership is different than the team was used to. I think the team has recognized that the qualities Emily has, we need.“

http://www.espn.com/espnw/news-commentary/article/14100802/virginia-emily-sonnett

This clip I wanted to show you is from a situation that is very common for a defensive line but overlooked bc we as viewers naturally tend to look at the movement of the ball. It’s the intentional shifting of the back line in the exact right moment to let an opposing attacker run into offside. In the original video you can hear Sonnett shout “DROP THE LINE“ and Menges and Kling follow her movement which results in Alex being successfully caught offside at the side line. 

((Tumblr won’t let me upload video clips, so here’s a crappy gif (look at Sonny and Menges), click the link to get to youtube, it’s at 21:30))

https://www.youtube.com/watch?v=2JGM6Nju0b4

A simple moment but a very crucial part of back line coordination.

      2.    Box positioning

A.k.a. one of the most important parts of good defending. Sonnett covers runs from attackers almost always with textbook precision. She anticipates passes and is able intercept balls which makes her a proactive rather than a reactive player. When she does have to go for a tackle she brings a feistiness that she probably learnt from a certain Kelley O’Hara I can imagine. She usually opts for slide tackles and that decision could be debatable if you’re the coach but it’s just so good to look at tbh

(credit to @geekmythologys for the last gif)

But anyway, her box positioning. Having watched a lot of games with my eyes glued to number 16, I can of course safely say that Sonnett knows what she’s doing. But I’ve been thinking more and more that she often has a sort of intuitive approach when it comes to box positioning in particular. For this next clip I’m gonna need your opinion. Normally I wouldn’t tell Sonnett to abandon her player in that moment, especially bc it creates a 3v2 situation on the attackers left side and also considering the angle in which Dunn is facing the goal. However, she steps in and is able to block the ball.

to see it properly: https://www.youtube.com/watch?v=-Ev3SFCmbqQ  at 15:40

What do you think?

Oh and this is just excellent clearance work. AD was certainly hyped about it:

https://www.youtube.com/watch?v=cvcOuadyFu4

    3.   Offensive effort

Sonnett is one of the highest scoring CBs of the league but her offensive efforts aren’t measurable in just goals. For corner kicks she likes to do the near-post run Julie Ertz style and has been successful in the past, most notably the 2-0 in the semifinal 2017 against Orlando (which resulted in this gem of a gif):

She likes to stay up top for a bit when her position is covered by someone else and tbh I’m living for these moments.

Here she encourages quick playing and would have gotten through with it if the nwsl had good refs. She didn’t even touch her. (get it? haha) 

https://www.youtube.com/watch?v=GOIDLJ4ZL1A

Here she drives the ball after winning it, even if her teammates are pushing up late and then she stays up front to participate in the counter attack. Unfortunately nothing evolves out of this situation.

https://www.youtube.com/watch?v=-Ev3SFCmbqQ

Right. Those were the strengths, in terms of weaknesses, I don’t wanna pick apart the smallest things but this is what I found:

Misjudged midfield positioning

We’ve talked about her excellent positioning in the box, however, a huge part of modern soccer is having the Center Backs pushed up to the half-line (as well as inverted outside backs but that’s another point). And what I’ve noticed is that sometimes during turnovers Sonnett goes in to put pressure on the player and with that an even wider space opens up behind her that the opposing team could exploit. Like in this picture.

Blue is the ball movement, red (Sonnett) goes in when in my opinion green (Lindsey) should have been the one putting pressure on the ball bc now Daly can run into that open space. 

Luckily Sonnett’s speed prevents Houston from getting anything out of it but Daly tried it several times during the game.

https://www.youtube.com/watch?v=GOIDLJ4ZL1A

My second example is that iconic tactical foul against ARod that we all remember.

Her positioning isn’t optimal, Klings pass isn’t the best, ARod gets her off of the wrong foot, she can’t turn around fast enough and has to stop her with a professional foul which is (I’ll say it again) demanded by coaches in situations like that. But anyway, tumblr has talked enough about this game rip

      2. Determining the biggest threat

This is a minor one, because Sonnett is usually really good at reading the game and making the right decisions. However in this game against Australia, she tries to cover the space behind Dahl which is technically reasonable but considering how wide open the Australian is, she should have closed her in earlier. That little hop inside the center of the field made the difference and the opposing player was able to score. 

I think it’s safe to say that stuff like this comes with age and experience. And again, Sonnett is only 25!

(The whole game against Australia is awesome for spotting strengths and weaknesses, plus we get tons of Sonny close-ups thus I can recommend rewatching it) https://www.youtube.com/watch?v=mBNvE3owllY

Two more things I wanted to include are two risks that could be relevant in the future.

From time to time she doesn’t control her arm movement in the box.

This is obviously the natural thing you do when you make a move like that but with the new rules by Fifa, defenders are more and more limited and this would have been a penalty if it had hit her arm. Idk it could bite her in the ass at some point.

      2. Intuitive positioning 

We’ve talked about this and people might have different opinions on it. I personally think though that this might make the difference between a great and a world class defender. So I say go for it Sonny.

Phew, I’m almost done guys, congrats for getting this far, I hope it’s interesting at all.

The last thing I wanna mention is this: The difference between Portland Sonnett and National Team Sonnett, a.k.a. CB Sonnett and RB Sonnett.

Even though as a right back your role is more offensive, I feel like Sonnett has to be pushed to go for it. She rarely does those runs in behind the winger and towards the end line. When she does it it’s great but compared to Kelley she simply isn’t there yet. It also seems to me like for Portland she takes more liberties in pushing forward which maybe is a confidence thing as well. She is a given for the Thorns but had to fight to regain that roster spot for the NT in 2017 after not being called up for several months. Maybe the fear of making mistakes bc of being out of position hinders her a bit? (I’m saying this while being aware that I of course don’t know what the coaches want her to do and what the different game plans require of her.) Anyway, I love her 1v1 defending as RB. I think she is underrated and absolutely deserves a spot on the Olympic roster next year. 

One last low quality gif because we gotta stay on brand.

https://www.youtube.com/watch?v=mBNvE3owllY

Well that’s it, I hope you enjoyed it. Again, I’d be grateful for additions, opinions, feedback, whatever. 

Thanks for reading :)

[sumikoco06-blog]

Have a son that in kindergarten

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[trappingguy]

Rules!

1. Themes will vary with this blog. Mystery Incorporated is PRETTY dark at times, so it’ll be what you expect there. To that end, dark themes, violence and maybe swearing.

I will try my best to tag everything. These will be under the format of swearing tw. If you’d like me to tag anything specific, don’t hesitate to ask through anon / inbox / im!

I don’t have any triggers but I do ask you tag all of your NSFW (sexual) content.

Mun is of age, and as such I won’t be writing anything of the sexual nature with minors.

2. I’m private, which means I only write with mutuals (this is for my own sanity / comfort; everyone’s cool!). I’ll write with canon, oc, and crossover characters.

Although I’m private, when it comes to following people, I’m selective. We don’t have to have known each other prior to write!

As for following back, I usually take a week tops to do so - but if you’ve hit up my promo, I go through that eventually.

If it’s a crossover, I have to know the fandom and be at least a little bit confident with it. This is so I’m able to work with you, our thread and have muse for it.

I follow the tag #trappingguy. If there’s anything you want me to see, like dash commentary, just tag that and x-kit will alert me of your post! I may respond to ic stuff ic stuff if I’m feeling it.

In that sense, I’m chill with dash shenanigans with most folk, not just mutuals!

Absolutely no godmodding. It ain’t fun, fam. If you’re not sure what this term means, do look it up. This includes powerplaying, metagaming, and other things of that nature. This applies especially in fights if they happen (I’m chance-based and hope that you are too).

I can be picky with OCs. But rest assured, if you’ve followed me/interacted with my promo, I’ll always give your pages a read.

Please don’t be offended if I don’t want to interact with you (and please don’t try to guilt me into doing so!).

I DON’T CARE ABOUT AESTHETICS. I just think they’re pretty. If you don’t use formatting or anything like that, or heck - even wanna’ just do iconless rp - I have no problem with it whatsoever! It’s you, your writing and your muse I care about!

3. Please don’t rush me for starters or responses.

PLEASE understand that I have blogs galore and my muse tends to fluctuate; this can mean I’m everywhere at once and can end up neglecting a blog or two. It’s nothing personal; you know how muses are!

I have a full-time job (and I’m trying to get into screenwriting in my off-time) so sometimes I’m scrapped for time or exhausted. I’m also an introvert who deals with anxiety and depression, thus that may affect how much / how often I roleplay. If I don’t get chance to respond to anything ic or ooc, it’s nothing personal! Promise!

Chances are, I’ve probably has seen that bit of interactivity and just haven’t gotten around to responding yet.

My roleplaying style being para/multi-para, I may take a while to respond. I hoard drafts like a dragon - it’s really just the motivation to write and ship those out.

I hoard asks, but sometimes can’t find muse or interest for all of them. If it’s been a month or two, generally assume I’m not interested / can’t find muse for it. You’re free to send another though!

I answer asks from anyone - personals, rp blogs and anons. I’ll answer non-mutual asks occaisonally but I won’t be making threads out of them

4. Shippings? If they’re of similar age, sure!

If I don’t happen to be interested, don’t force anything on my character.

I do not ship incestuous ships. Do NOT follow/interact if you do.

The ship has to have chemistry; I’m generally shipping trash, but if they don’t click, they don’t click, sorry.

This is a multi-ship blog, meaning there will be more than one ship without them conflicting with eachother.

If you want to ship and I already have a ship of your choosing going with a duplicate, please don’t hesitate to hmu! My ships aren’t exclusive and each character/relationship portrayal is unique to me!

Relationships are eternal until you deem otherwise. If you’re not interested in a ship anymore, just let me know!

5. Whilst I am of age, I’m not aiming for sexual content on this blog (and will not be dealing with fetishes). The occasional joke is fine, but anything beyond that makes me uncomfortable, and I typically don’t recommend pulling it with my character if you’re interacting with me. 

6. About reblogs…

I am not a meme source, and reblogs clog up my activity. Please reblog any memes you find on this blog from their SOURCE. The exception to this rule is if there is no source; go ahead.

I don’t feel comfortable with Personals reblogging my IC or OOC posts, so please don’t do that. If I put something in the fandom tags for whatever reason (bar promos), you’re free to, though.

This goes for my art too unless it has the tag ok to rb, but otherwise only the person I drew it for can reblog it. If you wanna’ reblog something, I DO put it on my art blog eventually!

A few times is fine, as it happens, but repeatedly breaking these rules will result in me soft blocking you.

I try to participate in reblog karma as much as I can, but always reblog from the source/a meme source.

If a post or ask is for you, you’re free to reblog it to save it though - but only if you’re an rp blog!

7. I’m a para / multi-para blog, novella if I’m adventurous and have time. Whilst I may roleplay crack threads with shorter responses, this does not apply to all threads I write. This means:

I write my replies as detailed as I can muster, and length can range from 1 paragraph to 6.

Short responses (such as one-liners) in more serious threads where I’ve written a decent deal can instantly kill my muse for that thread.

Whilst I’d prefer for partners to at least somewhat match my length, it’s entirely up to you - just try your best and make sure you give me enough to work with. ♡

If my muse happen to go nuts out of nowhere - like, overboard - don’t stress too much about matching him.

8. Threads! You can yeet asks, memes, and even starters at me if I’ve liked a call! I’ll obviously have my own you can like.

You’re free to like starter calls even if we’re not mutuals; I can check out your blog that way. I still only write starters for mutuals though.

Starter memes are the BEST way to interact me because they just yeet a prompt at my face and really help me write starters. If you see me reblog one, send one!

If you want a certain verse, lemme’ know! Otherwise, I’ll probably default to a post-canon verse.

If you want to turn an ask into a thread, go ahead!

I don’t recommend writing starters for me unless we’ve discussed something. I don’t like to leave anyone hanging.

Please don’t assume things about my muse. If you’re uncertain about things, ASK.

IMs are open to mutuals, if you want to do any in-depth plotting. I also have Discord if that’s more convenient for you!

For the moment, I’m sticking PRIMARILY to Mystery Incorporated canon with some other media sprinkled in. It’s just because Fred has a lot of media to cover and I haven’t binged his stuff yet.

9. Guidelines on mains and relationships:

If we’re mutuals and we interact a lot, you’re welcome to ask me if I’d like to be your main!

Please don’t be offended if I deny, though; I typically want to pick those I trust to be my mains as well as people I can comfortably write with.

Not limited to them! I roleplay with duplicates galore so don’t be afraid to hit me up if you want to interact!

Pre-established relationships are a-okay in my book; if you have an idea for a relationship between our muses we can work towards, hit me up! I reblog those pre-established relationship memes every so often too. Romantic relationships link back to the shipping guidelines.

Also, friendship/family/rivalry relationships are EXTREMELY valid to me - so don’t feel scared about asking for them!

10. If you have any issues, please let me know and hopefully we can resolve it!

Mun is actually super nice, so don’t be afraid to hit her up!

I am absolutely terrible with IMs and Discord. I either respond quickly or days later, depends on my mood. Social anxiety tends to interfere with this (and more recently exhaustion from work) - but honestly, if you’ve sent something, I’ve likely read it and just haven’t gotten around to it yet! It’s nothing personal; trust me!

Please leave me out of drama; I’m here to have a good time, as is everyone else, and it pains me to see people arguing.

This is a little different with callouts - if I see anything on dash pertaining to any problematic users, I will take it into consideration and rb it if I believe them to be harmful.

11. To retierate, I tend to follow those that:

Write para and whom I feel my muse would click with.

Seem chill? Tone can really intimidate me honestly.

Have rules and about pages! Knowing the boudaries of my rp partners is super important as well as their lovely muses! Sometimes rules are enough, though, if you’re going to write the about eventually.

Tag their nsfw.

Don’t have massive icons - ie, have rp icons that take up an entire text post like 500x500 or something. I don’t want to clog the dash and it’s tiring to resize them.

…also, if I follow your hub blog (provided it doesn’t double as a personal), it generally means I’m cool with any blogs that are attached to it.

12. On threads…

If you’re not interested in a thread anymore, and would like to drop it, please let me know! I’d feel terrible if we’re both not having fun with it or if partners feel overwhelmed with the amount of threads we have.

Honestly, unless I let you know, our threads have no expiry date - so no need to worry about me dropping them without telling you. I can just be quite slow sometimes.

13. Mun does not equal muse! Anything my muse might say does not reflect on how I think unless I explicitly say so.

14. Know that if I follow you, I WANT to interact with you.

I literally couldn’t care less about follower counts. I care about YOU guys and our interactions.

15. Icons.

I make all of my icons by myself, however credit for the icon shape and psd goes here and here.

16. Rules are subject to change.

Please like this post if you’ve read the rules! You don’t have to, but it’s of personal reassurance to me if you have.

[rockettransman]

Rocketman Watch #4 Thoughts

i have so many MORE thoughts can you believe it wow here we go

(i wrote these as i watched it so they’re in order im p sure)

man, his intro monologue during group therapy is just as gripping as it was when I first watched it. And the transition to the bitch is back is so fuckin good. My palms are sweating.

There’s some commentary about forgiving and loving your inner/past child, but I don’t have the words for it at this moment. In the beginning he’s staring down, confused and scowling at his child self, but at the end, he embraces him in a way his father and loved ones never did.

Was he in therapy/rehab WHILE touring and doing music? Stomping into the room in his regalia would have me believe so. I know group therapy was a medium for storytelling. Was it just signaling the very beginning of his story, because we go through different stages through his actions and clothing changes?

Lmao I imagine it must take some pretty cool parents to allow their, like, six or seven year old child to be in this movie. He said bitch so many times.

Took me a hot second to realize the orchestra he’s conducting is playing Rocket Man. The violins are so pretty. Imagine being picked to be in the orchestra on set and getting smile up at the tiny little kid who played Elton. My heart would absolutely swell seeing a little kid being so fantastic at this really intense job.

Kit Connor did amazing in his role. He’s fifteen and he’s already done so much! Imagine growing up knowing you played Elton John as a kid. Getting to work alongside him and his husband and the dozens of incredible actors. Wowie. I’d never shut up about it.

I LOVE how 12 year old Elton is playing the piano SO HARD and is trying to rock out as hard as he can while playing classical music. The boy wanna ROCK dammit.

HE GLANCED UP THE TINIEST BIT WHEN THE MAN ASKED IF ANYONE HAD A FAG (slang for cigarette)

SATURDAY NIGHTS ALRIGHT GIVES ME CONSTANT CHILLS FROM THE START TO FINISH

WOOOW SEVENTEEN YEAR OLD ELTON IS CUTE AS HEEELLLL. The hair, glasses, and front tooth gap fit Taron so well. Goddamn I hope I look like 17 year old Elton some day.

The choreography for this number is absolutely breathtaking. You have to get that many people all in sync! We followed Elton running through the crowd and AAHHH it was a lot! The athleticism! And they did it in the rain! Wow I’m blow away.

Elton is JAMMIN in the back of the stage. It’s really sweet to see his smile and enthusiasm and his brain thinking and working.

That guy in the back peed a LOT lmao

I was wondering where thank you for all of your loving came in.

Charlie Rowe plays Ray Williams, and he also plays LEO ROTH from Red Band Society!!! The first time I watched the movie, I KNEW him from somewhere, but I couldn’t place it and it was driving me nuts. Man. RBS was a big crutch during the worst lows of my ED. Had no idea he was English.

Love to see how shy Elton was as a teenager. It’s a hot ass mood. Also, those silk scarves? Ascots? idk but they’re a LOOK.

“One frothy coffee, no froth.”

The acquaintances-to-best-friends montage set to Border Song *chefs kiss*

Rock And Roll Madonna Is A Perfect Song Send Tweet

Lmao Elton is NOT phased at all when he gets accused of being gay. He’s just like. “Nah. I’m like. Not.” Not overly defensive and surprised, like I’m sure other people would be lmaooo

STUMBLING HOME DRUNK WITH YOUR BEST FRIEND IS A MILESTONE IN TEENAGEHOOD!!!!!!!

“You are a ssSSHHIIIITT HOT piano player—”

So delicate of Bernie the way he politely denied a kiss from him. It wasn’t weird or tense at all. Just a gentle “love you, but not that way. It’s okay” Some people may not be able to handle it that well even today.

Taron’s got nice thighs. That robe & underwear getup is a nice look.

Love love LOVE hearing him experiment with Your Song on the piano to find a melody that worked.

Honestly what the shit do these songs even mean. Bernie sometimes these words don’t make any sense. Don’t worry, they still slap. “See I’ve forgotten if they’re green or they’re blue” like what

AMOREENA IS A PERFECT SONG SEND TWEET

Doug flirting with Bernie makes me snort every time. “Oh, really? That’s.. cool.”

THE TROUBADOUR OUTFIT IS GOOD AS SHIT!!!!!!!!

“NO, BERNIE. YOU ARE UNDERREACTING.”

Taron was right. The overalls do make his ass look massive.

A week ago before this movie I was sick and fuckin TIRED of crocodile rock but now I can’t get enough of it. The movie transformed a lot of old songs I was sick of for me.

Imagine being a kind of shy, nervous kid, terrified to go on stage, but two and a half minutes later the entire venue is LOSING IT because they love the jam YOU WROTE. how cool for Elton.

I want a best friend platonic cheek kiss :(

Hmmmmm I’m wondering if they used the studio recordings that went on the album for the movie or have different movie-specific recordings. Tiny Dancer sounds a teeny bit different in the movie version.

Goddamn I sure hope Taron got to keep that jacket.

“So you liked the song, then?” “Not as much as the singer” *Elton glances away in gay panic*

LMFAO John said some weird colorful words to Elton that barely made sense and he was like OH FUCK GOTTA KISS HIM GOTTA KISS HIM

I’ve talked so much about the sex scene I don’t need to go on about it here. Go search the rocketman tag on my blog for my extensive gay thoughts about it.

Now I know glasses come OFF during sex

oh oh oh I was wondering where Hercules fell in the movie. I love how the songs he’s writing or getting notoriety for is played over the transition scenes.

Elton’s hand on his hip, knowing smirk as John enters the studio. “Hello.”

Bernie is like “HELLO are we RECORDING or are y’all gonna FUCK in the CLOSET?”

*vibrating* Honky Cat Honky Cat Honky Cat Honky Cat

Damn, the flowy white button down with the red pants really is a LOOK

The gestures, staring up at each other, leaning into each other, hands on each other’s chests, damn it makes me feel some typa way. Maybe their love WAS good and fun and exciting while they rode the high of everything before it all went so so bad.

Elton searching John’s gaze while he’s talking and looking like he’s not really paying attention, just looking for a kiss on the couch.. GOD I remember the honeymoon phase of my relationships. So much fun.

His dad going “N-Not really my thing.” That was a metaphor for his SEXUALITY TOO, huh.

Damn. He went to his dad’s to come out to him and he never even got to get to that part. He was just like “....nice shoes....” and even after all this time, didn’t show any interest in his music. If he never was into what he did, how could he even talk about being gay? I’m sure during that scene there were a lot of metaphors to sexuality but I didn’t bother to think much about them.

The eyebrow quirk after his dad says “ah—no. Could you make it out to Arthur?” DAMN Elton was like .. “really. This is what’s happening? Okay. Awesome.”

“What do you have to do to get a fucking drink around here, eh?” *cuts to Elton drinking straight from a bottle*

“Elton—” “Elton!”

John saying “don’t you ever put your hands on me” when he was the one who yanked him from the phone booth AND directly after punching him... woof man. What a shitty dude.

Damn, just noticed John talking very quietly and closely to another man right before he goes on and plays Pinball Wizard. Was this the first sign of him having fun with other men when Elton was indisposed?

Pinball Wizard is absolutely intense and loud and fun, but it DOES carry the tone of “god im SO miserable” under it all. You knew Elton wasn’t having fun.

“It is next week.” Jeezus.

LMAO I just caught the “mom, you’re ON my GOWN” when he reluctantly complies to give the Anderson’s a tour.

Damn, flowy, loose dress shirts with the first few buttons undone is a LOOOOK.

How did they do the overdose scene, you think? Surely the pills Taron took had to be like. Empty. Or placebo affect drugs? Idk. He did take a big drink directly after stuffing his mouth with them. I don’t think he spit them out.

God, there is SOMETHING symbolic about how he meets his child self at the bottom of the pool. Rock bottom? Apologizing? Wishing he could be better? Telling him he’ll never be better?

OH I watched a behind the scenes cut about the pool scene, and none of it was CGI. Taron was weighted under his robe and a SCUBA diver was on standby to provide oxygen. The singing and bubbles coming out of his mouth and stuff underwater was all real.

Dying to know about the choreography around the second chorus, about the undressing and twirling and dressing and injection and handing off of the bat and stuff. That sequence was incredible.

Bennie and the Jets. Damn. It fucks. I listened to it almost the entire time on my run today. (Five miles; I felt like garbage the entire time but it was good anyway.) The scene is wild. He’s in the middle of a drug induced haze orgy. He SHOULD be having the time of his life but he’s so goddamn miserable. (Also, the juxtaposition between Chris Fleming’s Bennie and the Jets is so funny.)

Part of the problem was that John never understood Elton. But, Elton broke it off with John, not the other way around like he said it was. He wasn’t the victim in that regard. John did treat him like shit though.

Victim of Love plays right after that lmao

Renate and he aren’t even close when they do the duet to don’t let the sun go down on me. They’re separated in different rooms, mirroring literally how closed off their relationship was.

The shot with them waking up in different rooms.. damn

His shirt is so LOUD I’m going crazy

Watching Taron down that orange juice made me a little nauseous I gotta say

“Not really I’m gAy”

It’s CRAZY to watch Elton and his mom interact at the dinner scene. He gets accosted and accused of so much by his mom, claiming SHE’S the victim of his actions, making it all about HER and then he turns around and does and says the exact same shit to Bernie.

He yells “Oh, don’t be so dramatic!” at Bernie as he gets into a taxi. THE PROJECTION!! THE DEFLECTION!!!!

I know there’s only so much they can put in two hours, but I wish they showed more of Elton’s eating issues. He had bulimia for sixteen years before he got help. It’s Absolutely the Man With Anorexia in me, but seeing that even men deal with eating disorders quells the lonely aching something in me. I feel that much less alone, you know. Eating disorders aren’t a “woman’s disease.”

How do you think they did his hair? A wig adds more hair, not take it away. He didn’t get his hair cut for it did he?

Seeing Elton’s first love fall apart because John was such a selfish, heartless prick in reality makes me sad.

Elton hugs his inner child when he reconciled with everyone in his past. Goddamn. He found peace and forgiveness for himself, who he was, even after all that time.

When Elton asks him not to go, Bernie refuses, saying this is something he had to do on his own. Healing comes from within alone. No one can help you do it. People can guide you, but you have to work at it. It’s fucking lonely sometimes, but it’s so, so worth it.

I used to loathe I’m Still Standing since i heard it so much at work, but the movie changed my entire perspective on it. I love the slow build up as he exits the rehab center. You don’t get thrown into something so happy and fast paced and fun after a cathartic climax you need to drink in. And the pan to his hat with the rainbow stripe to his smile. I get chills every time. Elton feels so right and secure and happy in himself. At first I thought it was a bit cheesy, but accepting your sexuality, especially after all the hell he went through during his life, grappling with unresolved trauma and fear of abandonment, he absolutely should wear it loud and proud. It’s easy to think times are much easier now being gay, and it shouldn’t be such a big deal. Relative to 1975, it is easier. But it doesn’t mean it’s not such a rough personal thing to work through if you’ve been spit on and resented all your life. Being gay, coming out, and accepting and being comfortable with that fact must’ve been such a HUGE milestone in Elton’s recovery and self-esteem.

Love me again after I’m still standing is perfect. The credits make me tear up every time. Jeez. What a good movie. What a good movie. Hit me up if you wanna talk about Rocketman because I absolutely will with you.

[ominousgreeting]

THE SCRIPT:

1. Themes will vary with this blog. Bob is a morbid guy, so I wouldn’t advise following if you’re not used to his character. There will likely be violence, themes of murder and crime, as well as that messed up obsession with wanting to kill Bart Simpson. If you’re not comfortable with that, steer clear!

I will try my best to tag everything. These will be under the format of swearing tw. If you’d like me to tag anything specific, don’t hesitate to ask through anon / inbox / im!

I don’t have any triggers but I do ask you tag all of your NSFW (sexual) content.

I’m of age, and thus I won’t be writing anything to that end with minors. Not that I’d be writing much of it anyway.

2. I’m private, which means I only write with mutuals (this is for my own sanity / comfort; everyone’s cool!). I’ll write with canon, oc, and crossover characters.

Although I’m private, when it comes to following people, I’m selective. We don’t have to have known each other prior to write!

As for following back, I usually take a week tops to do so - but if you’ve hit up my promo, I go through that eventually.

If it’s a crossover, I have to know the fandom and be at least a little bit confident with it. This is so I’m able to work with you, our thread and have muse for it.

I follow the tag #ominousgreeting. If there’s anything you want me to see, like dash commentary, just tag that and x-kit will alert me of your post! I may respond to ic stuff ic stuff if I’m feeling it. 

In that sense, I’m chill with dash shenanigans with most folk, not just mutuals!

Absolutely no godmodding. It ain’t fun, fam. If you’re not sure what this term means, do look it up. This includes powerplaying, metagaming, and other things of that nature. This applies especially in fights if they happen (I’m chance-based and hope that you are too).

I can be picky with OCs. But rest assured, if you’ve followed me/interacted with my promo, I’ll always give your pages a read.

Please don’t be offended if I don’t want to interact with you (and please don’t try to guilt me into doing so!). 

I DON’T CARE ABOUT AESTHETICS. I just think they’re pretty. If you don’t use formatting or anything like that, or heck - even wanna’ just do iconless rp - I have no problem with it whatsoever! It’s you, your writing and your muse I care about!

3. Please don’t rush me for starters or responses.

PLEASE understand that I have blogs galore and my muse tends to fluctuate; this can mean I’m everywhere at once and can end up neglecting a blog or two. It’s nothing personal; you know how muses are!

I have a full-time job (and I’m trying to get into screenwriting in my off-time) so sometimes I’m scrapped for time or exhausted. I'm also an introvert who deals with anxiety and depression, thus that may affect how much / how often I roleplay. If I don’t get chance to respond to anything ic or ooc, it’s nothing personal! Promise!

Chances are, I’ve probably has seen that bit of interactivity and just haven’t gotten around to responding yet.

My roleplaying style being para/multi-para, I may take a while to respond. I hoard drafts like a dragon - it’s really just the motivation to write and ship those out.

I hoard asks, but sometimes can’t find muse or interest for all of them. If it’s been a month or two, generally assume I’m not interested / can’t find muse for it. You’re free to send another though!

I answer asks from anyone - personals, rp blogs and anons. I’ll answer non-mutual asks occaisonally but I won’t be making threads out of them

4. Shippings? If they’re of similar age, sure! With Bob, it’s a little timey whimey since he’s married, but we could figure something out.

If I don’t happen to be interested, don’t force anything on my character.

I do not ship incestuous ships. Do NOT follow/interact if you do.

Also the same rule applies to this next thing. It would go without saying, but given the nature of this fandom... for the love of God, no shipping any of the kids with Bob.

The ship has to have chemistry; I’m generally shipping trash, but if they don’t click, they don’t click, sorry.

This is a multi-ship blog, meaning there will be more than one ship without them conflicting with eachother.

If you want to ship and I already have a ship of your choosing going with a duplicate, please don’t hesitate to hmu! My ships aren’t exclusive and each character/relationship portrayal is unique to me!

Relationships are eternal until you deem otherwise. If you’re not interested in a ship anymore, just let me know!

5. Whilst I am of age, I’m not aiming for sexual content on this blog (and will not be dealing with fetishes). The occasional joke is fine, but anything beyond that makes me uncomfortable, and I typically don’t recommend pulling it with my character if you’re interacting with me. Nonetheless, should it arise, I will tag it appropriately as nsfw //.

6. About reblogs…

I am not a meme source, and reblogs clog up my activity. Please reblog any memes you find on this blog from their SOURCE. The exception to this rule is if there is no source; go ahead.

I don’t feel comfortable with Personals reblogging my IC or OOC posts, so please don’t do that. If I put something in the fandom tags for whatever reason (bar promos), you’re free to, though.

This goes for my art too unless it has the tag ok to rb, but otherwise only the person I drew it for can reblog it. If you wanna’ reblog something, I DO put it on my art blog eventually!

A few times is fine, as it happens, but repeatedly breaking these rules will result in me soft blocking you.

I try to participate in reblog karma as much as I can, but always reblog from the source/a meme source.

If a post or ask is for you, you’re free to reblog it to save it though - but only if you’re an rp blog!

7. I’m a para / multi-para blog, novella if I’m adventurous and have time. Whilst I may roleplay crack threads with shorter responses, this does not apply to all threads I write. This means:

I write my replies as detailed as I can muster, and length can range from 1 paragraph to 6.

Short responses (such as one-liners) in more serious threads where I’ve written a decent deal can instantly kill my muse for that thread.

Whilst I’d prefer for partners to at least somewhat match my length, it’s entirely up to you - just try your best and make sure you give me enough to work with. ♡

If my muse happen to go nuts out of nowhere - like, overboard - don’t stress too much about matching him.

8. Threads! You can yeet asks, memes, and even starters at me if I’ve liked a call! I’ll obviously have my own you can like.

You’re free to like starter calls even if we’re not mutuals; I can check out your blog that way. I still only write starters for mutuals though.

I know pretty much most Bob media, bar the comics because I’ve only read a few of them.

Starter memes are the BEST way to interact me because they just yeet a prompt at my face and really help me write starters. If you see me reblog one, send one!

If you want a certain verse, lemme’ know! Otherwise, I’ll probably default to a post-canon verse.

If you want to turn an ask into a thread, go ahead!

In that sense, I don’t recommend writing starters for me unless we’ve discussed something. I don’t like to leave anyone hanging.

Please don’t assume things about my muse. If you’re uncertain about things, ASK.

IMs are open to mutuals, if you want to do any in-depth plotting. I also have Discord if that’s more convenient for you!

9. Guidelines on mains and relationships:

If we’re mutuals and we interact a lot, you’re welcome to ask me if I’d like to be your main!

Please don’t be offended if I deny, though; I typically want to pick those I trust to be my mains as well as people I can comfortably write with.

Not limited to them! I roleplay with duplicates galore so don’t be afraid to hit me up if you want to interact!

Pre-established relationships are a-okay in my book; if you have an idea for a relationship between our muses we can work towards, hit me up! I reblog those pre-established relationship memes every so often too. Romantic relationships link back to the shipping guidelines.

Also, friendship/family/rivalry relationships are EXTREMELY valid to me - so don’t feel scared about asking for them!

10. If you have any issues, please let me know and hopefully we can resolve it!

Mun is actually super nice, so don’t be afraid to hit her up!

I am absolutely terrible with IMs and Discord. I either respond quickly or days later, depends on my mood. Social anxiety tends to interfere with this (and more recently exhaustion from work) - but honestly, if you’ve sent something, I’ve likely read it and just haven’t gotten around to it yet! It’s nothing personal; trust me!

Please leave me out of drama; I’m here to have a good time, as is everyone else, and it pains me to see people arguing.

This is a little different with callouts - if I see anything on dash pertaining to any problematic users, I will take it into consideration and rb it if I believe them to be harmful.

11. To retierate, I tend to follow those that:

Write para and whom I feel my muse would click with.

Seem chill? Tone can really intimidate me honestly.

Have rules and about pages! Knowing the boudaries of my rp partners is super important as well as their lovely muses! Sometimes rules are enough, though, if you’re going to write the about eventually.

Tag their nsfw.

Don’t have massive icons - ie, have rp icons that take up an entire text post like 500x500 or something. I don’t want to clog the dash and it’s tiring to resize them.

…also, if I follow your hub blog (provided it doesn’t double as a personal), it generally means I’m cool with any blogs that are attached to it.

12. On threads…

If you’re not interested in a thread anymore, and would like to drop it, please let me know! I’d feel terrible if we’re both not having fun with it or if partners feel overwhelmed with the amount of threads we have.

Honestly, unless I let you know, our threads have no expiry date - so no need to worry about me dropping them without telling you. I can just be quite slow sometimes.

13. Mun does not equal muse! Anything my muse might say does not reflect on how I think unless I explicitly say so.

14. Know that if I follow you, I WANT to interact with you.

I literally couldn’t care less about follower counts. I care about YOU guys and our interactions.

15. Rules may be subject to change.

Please like this post if you’ve read the rules! You don’t have to, but it’s of personal reassurance to me if you have.